color naming

This paper proposes that the color naming and its implicit color culture in color marketing would be a kind of representative of culture indirectly and suggests that the difference in color cultures determines different cultural orientation of the color namings.

本文以雅典2004年奥运会与北京2008年奥运会的色彩名称为研究对象,就色彩名称对不同色彩文化的注释和定位进行对比分析。

The Application of Color in Furniture and Interior Decoration Design;

色彩在家具与室内装饰设计中的运用

On the Approaches to Execute the Management of the Color;

浅谈实现色彩管理的途径

The symbolize meaning of purple in clothes color applying;

紫色在服装色彩应用中的象征意义

Analysis on the Colour of Garment and its Influence Factors;

浅析服装色彩及其影响因素

Colour design for products of mining machine;

矿山机械产品的色彩设计

Research on Tibetan common colours in constructional decoration;

浅析藏族建筑装饰中的常用色彩

The Psychological Construction of Colors in Product Design;

论色彩在产品设计中的心理构建

Research on the Living Environment Colors of the Aged and Disabled Human Beings;

老年人和残疾人居住环境色彩的研究

On the restructuring of teaching materials of sketching and coloring for art design specialty;

艺术设计类专业素描、色彩教材的重构研究

In the realm of painting,coloring is an important category in expressiveness and expounding the individuality and nature of the creator.

在绘画领域中,色彩是最具表现力和阐发创造者个性与本质的重要门类。

The concept of chorus coloring in sense of hearing comes from people′s psychological reflection to visual coloring.

音乐中的听觉色彩概念系由人们对视觉色彩心理反映的联觉而来,色彩是形式美的重要自然物质材料之一,也是不可忽缺的审美因素。

From the mutual relation befueen tifle page designs and aesthetic consciousness,he anslyses the fundamental factors on tifle page designs such as patlerns,scripts,colours and so on.

对科技期刊封面设计进行了系统的探讨 ,从封面与审美意识的相互关系中 ,对封面设计的基本要素如图案、字体、色彩基本要素作了分析 ,指出了科技期刊封面的基本规

The colours of decoration paintings , characterized by the beauty of colours form and individual subjective feeling, are different from those in general sense.

色彩是组织装饰画形式美的一个重要表现因素。

In order to make a painting with good conception,the painter is supposed to good at achieving the agreement of the composition with the conception and the harmony of colours and conception and disposing of the relationship between realism and unrealism,The painter should also have outstanding cultural an.

要构成一幅意境好的画面,要求画者掌握好构图与意境的统一,色彩与意境的协调,虚实关系的处理;更强调画者要有很高的文化艺术修养、情景交融的能力以及洞悉生活、领悟造化的素养。