perspective projective description

基本解释透视画法

网络释义

1)perspective projective description,透视画法2)perspectively,依透视画法3)angular perspective drawing (=two-point drawing),成角透视画法4)New Method of Circular Perspective,圆面透视新画法5)two-point drawing,两点画(法);角透视画(法)6)the method to estimate perspective,估画透视

用法和例句

before artists had mastered the tricks of perspective

在画画的人掌握透视画法以前

The picture looks strange because it has no perspective.

这幅画看上去很怪,因为它不合乎透视画法

Perspective illustration provides a three-dimensional view of objects or views.

透视画法提供了一个对物体或景色的三维视角。

The painting provide us with one of the earliest examples of the use of perspective

那幅画给我们提供了采用透视画法的最早的范例

The painting provides us with one of the earliest examples of the use of perspective.

那幅画给我们提供了采用透视画法的最早的范例.

perspective representation

透视 [远近] 画法

" Descriptive Geometry, Shadow and Perspective"

画法几何与阴影透视

Children often draw without perspective.

小孩子画画常常不管透视法。

Overcoming The Diagram Problem In Painting Geometry By Using Perspective Similar Reflecting Corresponding Method;

用透视仿射对应法解决画法几何中的图解问题

Classic oil paintings greatly stress the laws of perspective.

古典西方油画非常 讲求透视绘图法的 规律.

Some Problems Concerning the Comparison of Chinese and Western Painting Perspective;

中西绘画透视法比较中应注意的几个问题

Perspective Elements in Greece Bottle Painting;

对希腊瓶画艺术中定点透视法要素的思辨

Perspective is a subject of drawing technique established by artists all over the word in history with practice from thousands of years ago.

透视学是数千年来中外画家在实践中总结出来的一门绘画技法。

Change of picture--the perspective analysis about architectural painting of the top Dai Miao Tian kuang Hall s mural;

变异的图像——岱庙天贶殿壁画上部建筑画透视法解析

She draw a row of tree recede into the distance to demonstrate the laws of perspective.

她画了一排由近而远高度递减的树以演示透视法的规律。

She drew a row of trees receding into the distance to demonstrate the laws of perspective.

她画了一排由近而远高度递减的树以演示透视法的规律.

“Three Fars”is the unique technique of Chinese painting in expressing space time. It is essentially different from the Focus Perspective Theory of western painting.

“三远”是中国画表现时空的独特手法,它与西方绘画的焦点透视理论有本质的差别;

In his realistic portrayal of the grand scene, the painter did not stick to Western sketching, perspective and color rules.

在写实手法的描绘中,画家在透视和色彩的处理都没有严格地按西方写实绘画中的素描要求,

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