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The Integration of Ancient Chinese Poetry and Painting;

中国古代诗与画的结合之路——绘画之诗性获得过程

‘Transience’ in poems and pictures;

诗、画表现中的“一顷刻”

Genuineness results from simplicity: brief discussion on the simplicity and genuineness of Tao yuanming s poems;

平淡出真知——小释陶渊明诗的平淡自然

On the Position of Classical Poems in Ancient History——A Brief Account on the Position of poems;

古典时期“诗”之文化定位论略

Different understanding and expression of human beings in different ancient Chinese poems and ci;

从伦理到世俗——中国古代诗词对人的认识和表现的不同

Query on the Annotation of Su Shi s Famous Poems by Mr. Chen Er-dong & Jin Xing-yao;

陈迩冬、金性尧先生苏诗名篇注释质疑

On the "Mo" primers "Poems" several "Poetry" study on the "poetry".

《墨子》引《诗》论《诗》数次,考察其对《诗》、《书》以及对《诗》不同部分的选择,可管窥《墨子》的《诗》学观。

"Mozi"greatly borrows from"Poems" which are familiar to everybody to expound its own viewpoints for the support of its own rhyme theory.

《墨子》大量引《诗》来阐明自己的观点,为其理论提供支撑。

The Compilation and Spread of The Book of Songs Before Confucius;

孔子之前《诗》的编撰与流传

The Rhetorical Implication in Zhuxi s Study of The Book of Songs;

朱熹《诗》学理解修辞深刻意蕴探析

The Ideological Speech Construction and Renewal on the Book of Songs and the Spring and Autumn;

《诗》亡然后《春秋》作——意识形态真理话语的建构与更新

Jianjia in Book of Songs and Shangui in Encountering Sorrow or Chu Ci are outstanding literary pieces chanting romantic love.

《蒹葭》与《山鬼》分别为《诗经》与《楚辞》中咏唱爱情的出色篇章,然而,这两篇内容相似的作品却向读者展示了《诗》与《骚》不同文体风格的差异,以及北与南不同地域风俗的差异。