music paper,music printing paper

Memorizing music score is a complicated mental process,It is a good example of memorizing piano music score with the method of "Lieyi Mar-Jizejige", showing that memorizing piano music score is a conscious process based on the analysis of music score logic,vision and sound.

钢琴乐谱记忆是一个复杂心理过程,以“列依马尔-基泽基戈”法为例,提出钢琴乐谱记忆需在分析乐谱逻辑、视觉和声音等基础上,进行有意识记忆。

In order to record the chanting tone and instrumental music on the religious ceremonies practiced by different Tibetan Buddhism sects in the monasteries,various musical scores are created,including the curve score to record the chanting tone and many instrumental musical scores.

藏传佛教各教派寺庙在长期的宗教法事活动中,为图示诵经音调和法器演奏的器乐音乐而创建的音乐乐谱令人眼花缭乱,目不暇接。

From the point of various music title forms, the papers elucidated the significance of the choosing unified title for the music score in computer catalogue.

文章从乐谱题名形式的多样化入手 ,阐明乐谱计算机编目时选择统一题名的意义。

The circuit consistute of the rhythm memory block,the notes generation block,the voice output block and the dot array display block.

该音乐存储和回放电路包括乐谱存储模块、音符产生模块、声音输出模块和点阵显示模块等。

Melody and music score have different functions in music art,which can be seen clearly in traditional chinese music.

"乐曲"和"乐谱"是两个完全不同的概念。

The music score is a literature carrier form,which music appearance is recorded by the Notation.

乐谱,是将音乐形象用记谱法记录下来的一种文献载体形式。

Music record of Ming and Qing dynasties can be classified into two categories, one is music score, the other is sound record.

本文在已有相关研究成果的基础上,以明清音乐资料为研究依据,将明清音乐记录分为乐谱记录与音乐录制两大类别,对明清音乐记录的这两大类别的特征进行论述,对明清音乐记录的传播特征进行探讨,从社会环境、技术条件、音乐发展、文化内涵、国际交流等角度对形成特征的原因加以分析,试图对明清乐谱的规模、种类、记法、记录思维;音乐录制在清末中国的使用与产生的作用:明清音乐记录的历史地位;明清时期中外音乐记录的交流与影响;明清音乐记录与明清社会文化、音乐艺术、科技发展以及国际格局的关系等问题,形成系统认识。

This paper introduces a pen-based musical input editor that allows user to enter easily-learned musical gestures using a pen and tablet.

设计并实现了一个支持笔输入的乐谱编辑器,用户使用笔和书写板输入乐谱手势符号,利用基于网格编码的单笔划手势识别算法识别手势符号,生成与输入相应的乐谱,具有实时播放的功能。