Department of Tradition Chinese Painting

The process and formulations of flat-screen printing for making Chinese paintings on non-woven fabric are described.

本文介绍了非织造布网印国画的工艺流程、工艺配方。

This thesis summarized the characteristics of Chinese painting’ brush and ink effect bycomparing with the applying of ceramic painting’s pigment, showing the applying and affect to ceramicpainting art, it also provided ceramic artists with some available theoretical instruction when they makingcreations.

通过阐述中国画笔墨特征,对照陶瓷绘画中料色处理,说明了中国画笔墨对陶瓷绘画艺术的运用与影响,为陶瓷艺术工作者绘画创作提供了一定的理论指导。

Up till now much passiveness has still existed in the teaching of Chinese painting in the universities.

目前高校中国画传统教学存在着很大的被动性。

The author of this paper summarizes,from the angles of national culture and visual transmission,the artistic experience in traditional Chinese paintings,which includes form experience,aesthetic experience and thinking experience.

从民族文化、视觉传达的角度归纳出国画艺术经验主要体现为形式经验、审美经验和思维经验,并尝试寻求国画和平面设计的相同或相似处作为切入点,对其进行传承和化用,为创建别开生面的民族平面设计开辟道路。

In teaching traditional Chinese painting,the traditional line drawing focuses mainly on the representation of line and little on object.

在国画专业教学中,传统线描主要注重线条的表现,对体的关注比较少,因而存在一定的局限性。

The author here explores the three stages of its style form and its impact upon teaching o f traditional Chinese paintings.

本文着重对形成任伯年画风格的三个阶段及对当前中国画教学的影响做了探讨。

The basic form to demonstrate the traditional Chinese paintings is the line, which implies very deep cultural spirits, aesthetic ideas and philosophic thoughts.

传统中国画的基本表现手段——线条蕴含着深刻的人文精神、美学观念、中国哲学思考,本文试从气论、阴阳、表现物象本质、抒情等方面为独立的篇章展开讨论,剖析中国画线条所蕴含的哲理意味,最终得出线条是体现传统中国画美学精神的重要构成语素的结论。

Past & Future:Figure Painting Studio in China Center Academy of Arts

回顾与前瞻——试述中央美术学院国画系水墨人物画室

Chinese Painting and Woodblock Prints of Black and White Black and White Study of Cross-Relations

中国画的黑白与木版画的黑白交叉关系研究

SPH Based Chinese-Ink-Painting-Style Smoke Animation System

基于SPH的中国水墨画风格烟气动画系统

On Similarity of Chinese Ceramic Painting and Traditional Chinese Painting;

论中国陶瓷表现与中国画的同构关系

Discussion on Relation between Chinese Classical Gardens and Chinese Landscape Painting;

论中国古典园林与中国山水画的关系

The Establishment of the System of Chinese Painting History in Modern Times-Comment on Three Works of Painting History during the Republic of China;

现代中国绘画史学体系的建构——评民国时期三部绘画史著作

Chinese rock painting falls into two schools, the northern and the southern schools.

中国岩画分为南北两个系统。

Research on Computer-aided Classification, Authentication and System of Chinese Traditional Painting;

计算机辅助的国画：分类、鉴别与系统

The Relationships between Yongzheng, Qianlong Fencai Art and Chinese Painting;

雍正、乾隆粉彩艺术与中国绘画的关系

The Role of Traditional Chinese Painting in the Educational System of Knowledge;

中国画教育在知识教育体系中的作用

A Study on the Relationship among Main body,Object,and Ontology of Traditional Chinese Paintings;

论中国画的主体、客体、本体及其关系

On the Relationship of "Image" and "Spirit" in the Development of Chinese Painting;

论中国画脉络发展中“形”与“神”的关系

Design and Implementation of Exhibition System for Interaction Chinese Painting

交互式中国画展示系统的设计与实现

hand painted Chinese picture

国画（中国传统绘画）

Chinese Animation Education and Animation Talented Person Develops Diversification Mode to Set Up;

中国动画教育与动画人才培养多样化体系的构建

The Significance to Contemporary Chinese Painting Drew from the Relationship between Calligraphy and Painting;

浅论古代书画关系暨书法对当代中国画的实践意义

Animation Image Design--An Analysis of the Relationship Between the Two Levels of Animation Image;

中国动画形象设计——动画形象内外两个层面的关系

Wisdom Maneuvers The Paintbrush Painting Shows Life--The Interpretation of ZHOU Ju-min s Traditional Chinese Painting A SERIES ON LIFE;

智慧遣画笔 丹青释人生——解读周矩敏的国画《散淡人生》系列