No root,no fruit.

This paper, by comparing scenes in traditional novels with those in modern novels, is intended to interpret the inquiry into rooted spirits and the quest for rootless souls in the description of scene, and to.

场景描写在传统小说中通常具有连贯、完整与和谐的特征 ,这来源于对古典精神的认同 ,而在现代小说中场景描写却变得朦胧、不确定或失去了时空感 ,这反映了现代自我灵魂的破碎和无根的飘泊。

Water quality improvement and algal inhabitation by Wolffia arrhiza, Schizosaccharomyces and Rhodospirillum;

无根萍、酵母菌和红螺菌的水质净化和抑藻作用

Electron Microscopic Observation on Plastids During Development of Haustoria of Cassytha filiformis L.;

无根藤吸器发育过程中质体变化的电境观察

Analysis of amino acids in medicinal parasitic plants: Cuscuta L. , Orobanche L. and Cassytha L.;

药用寄生植物菟丝子属、列当属和无根藤属氨基酸的分析

The so-called cultural "rootlessness" is due to Naipaul s complexity of the cultural identity,resulting from culture rootlessness and hybridit.

所谓文化"无根",实际是奈保尔文化身份复杂性的表现,而奈保尔文化身份复杂性根源于其出生地特立尼达文化的无根性和杂糅性。

He also makes an in-depth analysis and exploration of the rootlessness of modern man in such cultural situations.

在《河湾》中,后殖民作家奈保尔通过描写一群流亡的知识分子在河湾的不幸遭遇,揭示了一段曾被掩盖的历史,即遵守丛林法则的本土文化与外来文明之间的激烈冲突;同时,《河湾》也是对生活在这一社会背景之下,具有多重文化身份的现代流亡知识分子无根性困境的深刻反思。